Why should my writing about sexuality so frighten my male colleagues that they would try to sabotage my career?
Certainly, I was one of the first academics to teach the complexities of pornography. Certainly, I was a queer feminist teaching
the libidinal politics of desire. Certainly, I called for sex-worker rights long before it was acceptable to do so. And
I insisted that we can only understand gender in relation to race, class, and imperialism. But — all of this frightened
them?
Perhaps my colleagues' fear had something to do with a question raised by a male undergraduate during my first lecture
at Columbia. "Miss McClintock," the student asked in a tone of offended menace. "Men have always dominated
women. Are you telling us you are trying to change history?" "I certainly am," I said.
I never did get an official explanation for being denied tenure. But I got an unofficial one. A Columbia professor explained
to a puzzled friend that I lost tenure because I had taken a dildo to class. I have never taken a dildo to any class,
but the symbolic specter of the feminist wielding the fictive dildo spoke volumes.
I can't say I wasn't warned. When a senior professor read my critique of Freud, he called me into his office and
issued a blunt warning: "I will support you for tenure if you remove what you write about Freud," he said.
"If you don't, I wont." I didn't. And he didn't. My notoriously irregular tenure case, based on
my book Imperial Leather (Routledge, 1995), collapsed in disarray. Despite this retaliatory attempt to derail my career,
I was immediately offered named chairs at Duke and Wisconsin. And Imperial Leather, internationally cited and translated,
became a classic.
What did I learn from all this about women and power in the academy? And how has #MeToo changed the world we now inhabit?
I learned that I was not alone in having my career threatened by threatened men. I learned that freedom of speech is not
universally bestowed, but a privilege guarded by the anointed (still mostly white and male) gatekeepers of cultural power,
who decide whose voices are heard, whose careers founder. And I learned that college life is rife with harassment and
rape.
Take the Columbia doctor who raped me when I was a student. He told me I was dying of a terminal illness. (I was perfectly
healthy.) He told me I would die "an unhappy death" and that I should not research my illness as it would only
depress me. He told me I needed vaginal and anal "tests." He made me lie and face the wall, and took advantage
of my frozen shock to rape me. After six months believing I was dying, I told a doctor friend. He was horrified: I was
not dying; I was not even sick; the man was a rapist.
Take the political-science professor who invited me to a restaurant to discuss apartheid. He lured me to his apartment pretending
to get a Fed Ex package. I sat on his couch. Nothing seemed amiss. Then he launched himself on me, gagging me with his
tongue, manhandling my breasts and between my legs. Oh, I fought back. Then … I have no idea what happened next, how
I got home. (Neuroscientists show that stress floods the brain with chemically induced amnesia.)
Take the Amherst professor who shared my cab after my first invited lecture. I was shy; we rode in silence. At his hotel,
he got out of the cab, then reached in again, as if he had forgotten his bag. He leaned over, shoved his hand under my
jacket, roughly pumped my left breast, one, two, three, then withdrew and was gone.
I offer these stories, sampled from countless others, because not one fits the trivializing clichés trotted out by the anti
#MeToo troops of murky, alcohol-fueled nights of bad sex, gray sex, regret sex.
How often do we have to say it? Rape and harassment are not sex. Rape is sexualized violence. Rape is about power inflicted
on another to enhance the rapist's sense of entitlement, and shore up his fragile masculinity. (Motives for rape
are many, and can be just as often about race, ethnicity, and class.)
Masha Gessen warns that #MeToo blurs "the boundaries between rape, nonviolent sexual coercion, and bad, fumbling, drunken
sex. The effect is both to criminalize bad sex and trivialize rape." Far from trivializing rape, #MeToo has transformed
the landscape of gender power, demanding more successfully than ever before that rape be taken seriously. And "bad
sex" is not likely to be "criminalized" any time soon. Nuanced and robust discussions about these differences
are taking place every minute across social media, campuses, and workplaces.
The Columbia doctor was not in a manly muddle about consent. The Amherst professor was not bungling a compliment. These men
were aggressively claiming their right to be deliberately offensive and get away with it. The power-thrill of an unwanted
advance is precisely the knowledge that it is unwanted. The menu of harassments and attacks I have experienced are power-plays
that have nothing to do with fumbling sex gone wrong, but flaunt instead men's ancient right to assault and insult
with impunity.
We should call this gender harassment, not sexual harassment, because much of this has to do with gender power, not sex.
This also allows us to recognize that men, too, are harassed, and that people of color and LGBTQ communities are most
vulnerable of all to rape, assault, and abuse.
By telling my stories, I am not writing the obituary of flirtation, nor ruining romance, as some critics of #MeToo warn.
(If anything ruins romance, it's being raped.)
By speaking out against sexual violence, I not infantilizing myself, nor abandoning agency, in the perverse logic of anti
#MeToo critics. Nor am I "stereotyping men as abusers and women as perpetual victims in need of quasi-Victorian
protections," as Cathy Young claims. (And precisely what Victorian "protections" for women does Cathy
Young have in mind?)
Rather, as James Baldwin writes: "The victim who is able to articulate the situation of the victim has ceased to be
a victim. He, or she, has become a threat."
We are witnessing a monumental reckoning, a seismic shift in attitudes not only to gender violence, but to gender parity, workplace equity, and demands for sweeping institutional changes.
#MeToo embodies the most magnificent assertion of feminist agency the world has seen. We are witnessing a monumental reckoning,
a seismic shift in attitudes not only to gender violence, but to gender parity, workplace equity, alliances across race,
class, and gender, and demands for sweeping institutional changes.
It is crucial to recognize that #MeToo rose from the context and courage of the campus antirape movement. Over the years,
countless students told me of being raped and assaulted by faculty and students. Then in 2012 something extraordinary
happened. Furious with administrators for protecting institutional reputations instead of student rights, undergraduates
bypassed obstructionist deans, invented new strategies, and brought more than 200 universities under federal investigation.
Using the global mike of social media, the students turned rape and assault into a historic national and international
conversation. In 2013, my student Natalie Weill and I won the first expulsion for rape ever at the University of Wisconsin
at Madison.
Critics like Judith Levine, however, see in #MeToo a "looming sex panic." There is a sex panic — a sex panic
of privileged men who feel their power slipping. (And we must repeat #NotAllMen.) Panic ignites into violence at the
flashpoints of wounded masculinity: in trolls threatening to rape, mutilate, and murder women, in the Gamergate haters,
and in revenge porn.
So #MeToo is also about men. It's about the men who need to change. And it's about the courageous, magnificent men
who are already changing, the men who are daring to fundamentally rethink what transformative masculinities could be.
Andrew Sullivan predicts darkly that #MeToo is morphing into "a more generalized revolution against the patriarchy."
You got that right. #MeToo is here to stay. And we are many millions strong.
Anne McClintock is a professor of gender and sexuality studies at Princeton University. She is at work on a memoir about
#MeToo titled Tongues Untied.