> Skip to content
FEATURED:
  • The Evolution of Race in Admissions
Sign In
  • News
  • Advice
  • The Review
  • Data
  • Current Issue
  • Virtual Events
  • Store
    • Featured Products
    • Reports
    • Data
    • Collections
    • Back Issues
    • Featured Products
    • Reports
    • Data
    • Collections
    • Back Issues
  • Jobs
    • Find a Job
    • Post a Job
    • Career Resources
    • Find a Job
    • Post a Job
    • Career Resources
Sign In
  • News
  • Advice
  • The Review
  • Data
  • Current Issue
  • Virtual Events
  • Store
    • Featured Products
    • Reports
    • Data
    • Collections
    • Back Issues
    • Featured Products
    • Reports
    • Data
    • Collections
    • Back Issues
  • Jobs
    • Find a Job
    • Post a Job
    • Career Resources
    • Find a Job
    • Post a Job
    • Career Resources
  • News
  • Advice
  • The Review
  • Data
  • Current Issue
  • Virtual Events
  • Store
    • Featured Products
    • Reports
    • Data
    • Collections
    • Back Issues
    • Featured Products
    • Reports
    • Data
    • Collections
    • Back Issues
  • Jobs
    • Find a Job
    • Post a Job
    • Career Resources
    • Find a Job
    • Post a Job
    • Career Resources
Sign In
ADVERTISEMENT
edge american west square logo

The Edge of the American West: About the best scene in Casablanca.

"History can save your ass."

  • Twitter
  • LinkedIn
  • Show more sharing options
Share
  • Twitter
  • LinkedIn
  • Facebook
  • Email
  • Copy Link URLCopied!
  • Print

About the best scene in Casablanca.

By  Eric Rauchway
March 9, 2012

Everybody knows Casablanca is a great work of art (and a great work of art generated by a Cornellian, at that). Everybody knows, too, that Casablanca was embedded in a particular historical moment, too - it served to vindicate the recent, necessarily wrenching American volte-face

We’re sorry. Something went wrong.

We are unable to fully display the content of this page.

The most likely cause of this is a content blocker on your computer or network. Please make sure your computer, VPN, or network allows javascript and allows content to be delivered from c950.chronicle.com and chronicle.blueconic.net.

Once javascript and access to those URLs are allowed, please refresh this page. You may then be asked to log in, create an account if you don't already have one, or subscribe.

If you continue to experience issues, contact us at 202-466-1032 or help@chronicle.com

Everybody knows Casablanca is a great work of art (and a great work of art generated by a Cornellian, at that). Everybody knows, too, that Casablanca was embedded in a particular historical moment, too - it served to vindicate the recent, necessarily wrenching American volte-face1 on the subject of Europeans and their war.
History also bled through to the screen in the movie’s best scene - the singing of the “Marseillaise”:

Casablanca was shot in 1941 during the German occupation of France, at a point where many questioned whether or not the United States would ever step in to help, [UPDATED: Not true. Though the play was written before US involvement.] when nobody knew how the whole thing was going to turn out.
And the scene included actors who, in real life, had a lot at stake. To shoot Casablanca as a believable port town, producers brought together one of the most ethnically diverse casts in film history, and a lot of these extras turned out to be Europeans who had fled to America to escape the Nazis -- that is, they were basically real-life refugees. They had left homes, friends and families behind, and at this point really didn’t know if things could ever return to normal. Which makes us wonder if the director didn’t stage the whole war just to get that scene.

It’s the scene that makes Laszlo believable as a resistance leader: in front of the singing Nazis he orders the band, “Play the ‘Marseillaise’. Play it.” It’s the scene that justifies Rick’s decision at the end, which is based in part on self-knowledge - when Rick snaps “Play it,” it’s so he can wallow in nostalgia; when Laszlo snaps “Play it,” it’s so people will kill Nazis.
Casablanca: one of those rare things that’s really as good as everyone says it is.
http://www.youtube.com/watch?feature=player_embedded&v=HM-E2H1ChJM


1If I can’t use French in a post about Casablanca when can I?

ADVERTISEMENT

ADVERTISEMENT
ADVERTISEMENT
  • Explore
    • Get Newsletters
    • Letters
    • Free Reports and Guides
    • Blogs
    • Virtual Events
    • Chronicle Store
    • Find a Job
    Explore
    • Get Newsletters
    • Letters
    • Free Reports and Guides
    • Blogs
    • Virtual Events
    • Chronicle Store
    • Find a Job
  • The Chronicle
    • About Us
    • DEI Commitment Statement
    • Write for Us
    • Talk to Us
    • Work at The Chronicle
    • User Agreement
    • Privacy Policy
    • California Privacy Policy
    • Site Map
    • Accessibility Statement
    The Chronicle
    • About Us
    • DEI Commitment Statement
    • Write for Us
    • Talk to Us
    • Work at The Chronicle
    • User Agreement
    • Privacy Policy
    • California Privacy Policy
    • Site Map
    • Accessibility Statement
  • Customer Assistance
    • Contact Us
    • Advertise With Us
    • Post a Job
    • Advertising Terms and Conditions
    • Reprints & Permissions
    • Do Not Sell My Personal Information
    Customer Assistance
    • Contact Us
    • Advertise With Us
    • Post a Job
    • Advertising Terms and Conditions
    • Reprints & Permissions
    • Do Not Sell My Personal Information
  • Subscribe
    • Individual Subscriptions
    • Institutional Subscriptions
    • Subscription & Account FAQ
    • Manage Newsletters
    • Manage Your Account
    Subscribe
    • Individual Subscriptions
    • Institutional Subscriptions
    • Subscription & Account FAQ
    • Manage Newsletters
    • Manage Your Account
1255 23rd Street, N.W. Washington, D.C. 20037
© 2023 The Chronicle of Higher Education
  • twitter
  • instagram
  • youtube
  • facebook
  • linkedin