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Teaching

Find insights to improve teaching and learning across your campus. Delivered on Thursdays. To read this newsletter as soon as it sends, sign up to receive it in your email inbox.

October 11, 2018
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From: Beckie Supiano

Subject: One Way to Help Students Become Knowledge Creators

Hello and welcome to Teaching, a weekly newsletter from The Chronicle of Higher Education. This week, Beckie describes one professor’s strategy for helping students construct their own knowledge. Our colleague Fernanda Zamudio-Suarez shares The Chronicle’s latest advice video, on crafting a statement of teaching philosophy – part of a new series you may want to follow along with. Beckie asks for your input on how to set students up to remember what really mattered about a course for years to come. We’ll leave you with some articles you may have missed. Let’s begin:

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Hello and welcome to Teaching, a weekly newsletter from The Chronicle of Higher Education. This week, Beckie describes one professor’s strategy for helping students construct their own knowledge. Our colleague Fernanda Zamudio-Suarez shares The Chronicle’s latest advice video, on crafting a statement of teaching philosophy – part of a new series you may want to follow along with. Beckie asks for your input on how to set students up to remember what really mattered about a course for years to come. We’ll leave you with some articles you may have missed. Let’s begin:

Giving Students Ownership

Being a professor comes with a certain amount of authority. But some instructors have found that letting go in the classroom and finding ways for students to construct their own knowledge can create a richer experience for them.

Robin Paige, associate director of the Center for Teaching Excellence at Rice University, wrote in to share how she’s experimenting with this idea in her “Sociology of Gender” course.

Using a project created by Robin DeRosa, a professor of interdisciplinary studies at Plymouth State University, as a model, Paige is having her students create a “resource book” for the course. This kind of project, Paige said, decentralizes power. “I tell students I don’t have complete ownership of this knowledge,” she said.

In Paige’s version, which she’s doing for the first time this semester, the 16 students in her class spent the first few weeks reading the theory that the rest of the course will rely on and practicing, with her guidance, the sort of work she will be asking them to do.

During the first several weeks, Paige broke them into four groups of four. She gave each group responsibility for two weeks of the course, with each week devoted to a topic, like the social construction of gender, or gender and work.

Each group has been completing its weeks’ readings – which are academic articles – far in advance. The groups have been coming up with with in-class activities based on the readings, which they run past Paige, who helps refine them – say by pushing them to include good discussion prompts if they want to show a video, and by steering them away from asking comprehension questions and toward ones that probe more deeply.

The groups have also been writing a short summary and analysis of the week’s readings, weaving them together much the way a textbook might.

Paige has also set up a rotation for the groups to take turns evaluating one another’s work, which can also serve as a way to bring in additional ideas on the topic.

Both the activities and the summary readings will go into the resource book, along with a list, compiled by students, of actions someone interested in combating the problems studied that week might take.

Paige plans to make the resource book available to other professors – and to keep building it, too. When she next teaches the course, she expects to assign different readings on similar topics. That will allow the new group of students to craft different assignments – and add new material to the summary texts the current group of students will have started.

One benefit of the project, Paige hopes, is that students take it seriously. It makes them realize, she said, “I’m not just writing a paper for Robin to read.”

It also gives them a deeper understanding of scholarship, Paige said. Academics know that research literature will continue to evolve over time, but students often view what the textbook says as the final word. The project, Paige said, helps convey that the “creation of knowledge is an ongoing process.”

In college, many people say, students are supposed to transition from being knowledge consumers to knowledge creators. How do you help your students make this shift? Tell me about it at beckie.supiano@chronicle.com and I may mention it in a future newsletter.

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Two-Minute Tips

Writing a teaching philosophy is increasingly a requirement in an academic job search. Articulating your approach to the classroom can be a daunting task. How can you detail your philosophy in just one statement? In this video, Fernanda gives you six tips in two minutes to help you write a teaching philosophy. This is part of a new video series, Two-Minute Tips, where she breaks down advice to help you succeed in the academic workplace. It’s fun, promise.

Starting at the End

Ask professors what they hope students will remember from their courses in 20 years’ time, and you’re unlikely to hear many answers that come down to content. In many disciplines, the specific knowledge students acquire will be outdated long before that anyhow.

So what do professors want students to retain? James Lang, who’s been asking faculty members that question for years, provided some common themes in a recent advice piece for The Chronicle. Instructors want students to be passionate about their subject, to have disciplinary literacy, and to understand how the discipline affects the wider world, he has found. Some, Lang writes, have loftier hopes, like helping students become better citizens.

In order to design a course to meet these kinds of goals, Lang argues, professors need to use “backward design,” beginning the process not by selecting content, but by articulating what they want students to walk away with.

What do you want students to carry from your course decades from now? And how have you built this goal into the course design? Do you have any sense of whether it’s working? Share your example with me at beckie.supiano@chronicle.com and it may be featured in a future newsletter.

ICYMI

  • What do professors think of teaching – and of students? A new survey from The Chronicle has some answers, which our colleague Audrey Williams June delves into here.
  • Many of the same features that make a multiple-choice test a good assessment of learning can also deepen students’ understanding, a recent paper argues. I summed it up here.
  • Teaching writing can be challenging. A teaching-center director shares on his blog some tips he took away from his center’s recent “open classroom” event.

Thanks for reading Teaching. If you have suggestions or ideas, please feel free to email us, at dan.berrett@chronicle.com, beth.mcmurtrie@chronicle.com, or beckie.supiano@chronicle.com.

— Beckie

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