Welcome to Teaching, a free weekly newsletter from The Chronicle of Higher Education. This week:
- Beckie describes how some colleges and professors are using Michele Norris’s Race Card Project as a teaching tool.
- Beth shares readers’ examples of engaged scholarship.
- We point to some recent articles you may have missed.
From Discomfort to Acceptance
When librarians at Wayne State University learned about the Race Card Project, Kristen Chinery, a reference archivist at its Walter P. Reuther Library, was excited.
As chair of the Wayne State libraries’ diversity and inclusion council, Chinery thought that participating in the project, which collects people’s six-word submissions about their experience or observations of race, would spark good discussions at the public university in Detroit. “Why don’t we have a wall in every library on campus?” she thought.
Cards posted at the university’s five libraries and its archives included “Black Lives Matter! Act Like It!,” “DNA is what connects us all,” and “Deporting my mom is not ok!” You can view more examples here.
Reading candid messages from students, professors, staff members, and people from the community about their experience with race, Chinery said, can be uncomfortable. But “from that discomfort and that questioning, it can help us move to a place of tolerance and accepting others’ viewpoints.”
A number of professors gave students the option to submit cards for extra credit, she added.
The project is the brainchild of Michele Norris, a former host of National Public Radio’s All Things Considered. “I’m thrilled that people find utility in the project,” Norris said. “And I’m honored that’s happening in institutions of higher education, because that’s often the most diverse environment we as individuals find in our lifetimes.”
In addition to its use at institutions like Wayne State, the project has been taken up as a teaching tool by individual professors elsewhere.
Among them is Michele Elam, a professor of English at Stanford University, who said the cards provide a mechanism for connecting scholarly understandings of race to students’ lives.
Elam teaches “Mixed Race in the New Millennium: Crossings of Kin, Faith, and Culture,” one of several intensive pre-term courses that rising sophomores can apply to take.
Typically, college sophomores are coming into their own, she says, and are seeking ways to understand their experience. The way she uses the Race Card Project in her course dovetails with this impulse.
First, Elam has students write their own Race Cards. Then she has them conduct related research. A student who is biracial, for instance, learned that one of her great-grandfathers had owned slaves. Elam pointed the student toward memoirs by writers who had similar family histories and to other research on the topic.
Projects like these, she said, help students understand the role that humanities scholarship can play in making sense of the world — something that’s not always self-evident to them.
Have you found a good way to tie students’ identities or personal experiences to scholarship in your field? Tell me about it at beckie.supiano@chronicle.com, and your example may appear in a future newsletter.